After receiving a lengthy lecture from
Edmund Clark I began to realize how documentary photography could be full of
artistic choices that covertly tell the story to the viewer. What I found so
great about Clarks work was the fact that It all seemed so spontaneous. The
work didn’t seem staged or rehearsed in any way which I found refreshing as
most work I look at seems as if it has had an age spent on it both post
production and pre production. What I took from Edmund Clarks work was how simplistic
the work is but I also appreciate how in depth Clarke was in his approach to
getting access and finding locations to shoot at.
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